Pataphysics Interview

Monday, January 19th, 2009 | Interviews, VG News | No Comments

Pataphysics took the time to chat with us recently on his new sound that had me surprised with Australia’s developing hip hop community… interview below…

Thanks for stopping by… after seeing your performance a few months ago I was intrigued to learn a little more. So where and what have you come from?

At the moment I’m really into ideas about creation blending Astrophysics and Maya.

Your performance is exactly that, an actual performance rather then just a band. Do you see music as a vehicle for expression?

Yes definitely.  Almost everything we do is an outward expression of our inner.  Music and Art are some of the more tangible of these expressions. For me music can capture feeling or emotions through melody which cannot be described by words.  While lyrics can touch on ideas and moments many people share but do not voice.  Music

Both rapping and playing trumpet are fairly taxing activities; does it wear you out doing both simultaneously?
Nah, been doing it for a while, it’s all about breath.

I’ve seen you playing quite a few instruments, in other groups than Pataphysics also… with which instruments & bands do you play.
I play trumpet and vocals in a stack of different crews.  As well  as that I play drums with Trillion and Project nRt, playing some bass with Rosie Burgess,  electric piano and organ in UDL (Ubiquitous Dub Legitimizers), play guitar in this band I teach at Kensington community High School, and will be playing Tin Flute in a experimental Jamaican folk band Lotek‘s working on.

Pataphysics – A short introduction

In the music and performances I have seen so far, you seem to have an underlying theme or message… how would you explain that message to someone who hasn’t heard your music?

The biggest theme that I feel runs through my music is one of positivity.  The message I guess is the one I tell myself, awake, understand, and ask questions. We aren’t powerless, there’s always a solution to a problem.  Today there are a heap of forces around that prevent truth and real dialogue.   Things are not always as they are portrayed to be, I am by no means a conspiracy theorist, but I do like to present an alternate view of things that we are fed .

What’s your take on the music scene in Australasia at the moment? Is anyone taking your interest?

There’s lots of music being made of all variety.  I am a huge fan of Rosie Burgess and Jemi White.  Also really enjoy Monkey Marc premier producer as well as another local lad by the name of Paranym.

And what about the international scene?

Morgan Heritage is the Bomb. Also Dead Prez.

Who were the artists you were bumping when you were developing your sound?

When I was little PE, NWA, Cypress Hill and Bob Marley are bands that influenced me greatly.  Later on in years, Miles Davis and The Brown Hornet showed me the freedom you had with music. Hendrix had a huge effect on the way I play trumpet.

Thanks for taking the time man… look forward to hearing more.

You can check out more of Pataphysics at:

www.myspace.com/brotherpataphysics

www.pataphysics.com.au

…bs

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Raashan Ahmad Interview

Tuesday, January 6th, 2009 | Interviews | No Comments

Pataphysics caught up up with California based MC, Raashan Ahmad, this week on life, music, Australian customs and other stuff… here is a basic copy of the transcript (as best as I could type it while playing it back to be precise).

You’ve had an interesting career so far, tell us a little about your journey.
Yeah man, I’ve been MC’ing for like 10 years now for real, ‘rappin since I was a little boy, walking up the street talkin to the beat, but I started to take it seriously with a group called Crown City Rockers putting out an album “Natural Phenomenon” in 2001(and ‘Earthtones’ in 2004).  Along the way I’ve just been touring consistently around the states and made it to Japan a couple of times also. I just released my first solo record called “The Push”, and now i’m just trying to make it bigger and better.

How did you get into Hip Hop, and who were your early influences?
I grew up in mid city L.A. going to a public school, and hip hop is and was the voice of the young generation. I was listening to the more conscious hip hop like NWA, Public Enenmy, KRS ONE, Big Daddy Kane, Rakim, Souls of Michief, Pharcyde, all of the Native Toungues, I’m a big fan of hip hop in all of its forms.

What do you know about Australia & New Zealand and our music?
Hardly anything man to be honest, i’m not really up on game at all. Thanks to border security and our tour manager not organising entertainment visa’s for our Crown City Rockers tour there a few years ago I’m not really up on it at all.


Raashan Ahmad – Peace

You’ve worked with some great artists in your career so far collaborating and touring, who are some of the most memorable for you?
Have to say maybe when I was on tour with Digable Planets, which was an amazig experience as it was, but working with their keyboardist, Bryan Jackson,  you know I got to do a song with him playing flute on the track, that’s probably gotta be one of my favourite memories, being in a hotel room in the middle of nowhere with an Mbox rapping with one of those cats who made some of my dad’s favourite songs.

You have come out with your debut solo album “The Push” after such a long time on the scene. How do you feel about the album and what can we expect?
I absolutely love it, this album was kinda like my selfish album, when I was making it the conscious album hype was going on, I think you can have conscious lyrics and dance at the same time, you can love the girls and do it all. I have a  song about mum passing on, my kid being born, thanks when the rain lifted, a track called “Fight” about George Bush, a track for my love for hip hop. I tried to make an album that showed more then just one side of me as an artist, but me as a human being.

Who’s playing in your headphones at the moment?
Right now i’m listening to this Wale Mixtape, i’m still listening to the Blue and Exile record,  Q-Tip ‘The Renaissance’, I’m really listening to ‘The shape of broad minds’ by ‘Jarrell’

If you could rock a jam with any cat from history who would it be?
Oh Man, Damn – that’s rough dude… dead or alive doesn’t matter??? probably Billie Holiday – i’d just like to sit in a room with her and just get the vibe she’s like so sad, and beautiful, I could just like stare at her.

So what’s coming up next for Raashan Ahmad?
I’m Touring Australia and NZ dude – I pretty much covered USA last year, so i’m just trying to get out there further and make some more music, put out another mixtape, and the Crown City Rockers new record is coming out, so play some more international shows, make some more music, open up some new minds and get turned onto new things.

You can check out more from Raashan at:

www.myspace.com/raashanahmad

…Pataphysics

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Pataphysics

Monday, September 1st, 2008 | | 3 Comments

“Australian hip hop has a strong new voice”  Inpress Magazine

[audio:pataphysics_cloaked-guerilla.mp3]

With his multicultural, multi-instrumental crossover of styles and distinct sound so rich in character, Pataphysics is pushing the boundaries of contemporary music in Australasia. With live shows carrying a deep groove element and extensive improvisation, Pataphysics is moving crowds with the unique vibe created & the riddim’s served having more character and depth than audiences have come to expect.

A Mercury prize Winning Song Writer for Speech Debelle (Ninja Tune). Pataphysics has crowds vibin’ with just a mic and his MPC. When Jammin’ with his crew/funk posse the live warm organic textures mixed with the dirty drums and electronic sub frequencies take it to the next level.

Ninja Trumpet

Feeling at home at a Hip Hop show or festival music has taken him all over Australia, culminating in performances in front of over 3,000 people at the Falls Festival and 20,000 at the Adelaide Fringe. Unpredictable live shows have seen Pataphysics perform, and collaborate, along side artists including: Dead Prez, Poirier (Ninja Tune), M-Phazes, Diafrix, Mista Savona, Joelistics (TZU), NFA, Curse ov Dialect, The Melodics, Barons of Tang, Pablo Discobar, 360 & Pez, Speech Debelle, Lotek, and Darktower (NZ) just to name a few.

With a hypnotic vocal flow, smooth tone, and insightful rhymes blended by time signatures and the English and Sri Lankan language, Pataphysics‘ lyricism deals with issues from local/international politics, the streets, dreaming, eastern philosophy and our existence. His Trumpet glistens in between the rhythm, with a tone reminiscent of Chet Baker, and at times and envelope filtered mono synth.

Pataphysics debut album ‘The Ology Unknown’ will be released in Australia in 2010, featuring Stic man (Dead Prez), Rob Swift (The X-Ecutioners), NFA (1200 Techniques), Braille (Lightheaded USA), Rashaan Ahmad (Crown City Rockers USA) among others. The first single off ‘The Ology Unknown’, ‘Cloaked Guerilla’ (streaming at the top of this profile) reached Triple J’s Unearthed #1 position June, with another of his songs, ‘Fuck Captain Cook’ sitting at number 2. ‘Over’ featuring Vida-Sunshyne is the second release from this highly anticipated album, departing from the more traditional perception of hip hop, into a soulful lounge/jazz piece, highlighting some of the finer poetry rap style that is building throughout Australia’s underground current (Release date 9.9.09)

Pataphysics independant underground Releases “X:Patriots” (2010) and “The Christmas Album, Episode 6:The third Space” (2007) has seen Nationwide Airplay from Triple J, SBS, FBi, PBS, RRR, and a host of community stations round the country as well as being played weekly on channel 31.

Pataphysics Live at Bar Open

You can check out more of Pataphysics at:
www.myspace.com/brotherpataphysics
www.pataphysics.com.au

and you can check out a brief recent interview